Perfectly Wild
I think it’s time for a little Mary Oliver:
In Pobiddy, Georgia
Three women
climb from the car
in which they have driven slowly
into the churchyard.
They come toward us, to see
what we are doing.
What we are doing
is reading the strange,
wonderful names
of the dead.
One of the women
speaks to us–
after we speak to her.
She walks with us and shows us,
with downward-thrust finger,
which of the dead
were her people.
She tells us
about two brothers, and an argument,
and a gun–she points
to one of the slabs
on which there is a name,
some scripture, a handful of red
plastic flowers. We ask her
about the other brother.
“Chain gang,” she says,
as you or I might say
“Des Moines,” or “New Haven.” And then,
“Look around all you want.”
The younger woman stands back, in the stiff weeds,
like a banked fire.
The third one–
the oldest human being we have ever seen in our lives–
suddenly drops to the dirt
and begins to cry. Clearly
she is blind, and clearly
she can’t rise, but they lift her, like a child,
and lead her away, across the graves, as though,
as old as anything could ever be, she was, finally,
perfectly finished, perfectly heartbroken, perfectly wild.